Paint it black song date1/13/2024 Richie Unterberger of AllMusic later described "Long, Long While" as an underappreciated song, with a "considerably different" tone than most of the band's work, and commented that it was better than many of the tracks the Stones selected for their studio albums. "Paint It Black" 's UK B-side was "Long, Long While", a song that was not released on any of the band's studio albums. London Records released "Paint It Black" as a single in the US on Decca Records released it on 13 May in the UK. Christgau praised Mick Jagger specifically for his influence on the Stones' artistic identity on their 1966 material, describing him as a lyricist "whose power, subtlety and wit are unparalleled in contemporary popular music", and additionally suggested that Jagger and Richards rank second as composers of melody in rock, behind only John Lennon and Paul McCartney. ![]() According to Christgau, the texture of the Stones' blues-derived hard rock is "permanently enriched" as Jones "daub on occult instrumental ". The Village Voice music critic Robert Christgau described "Paint It Black" as an example of the Stones' development as artists. However, the band uses musical connections between songs as well as the sub-theme of travel, the use of feline metaphors for women and other lyrical connections to suggest that the characters whom lead singer Mick Jagger portrays throughout the album are really one and perhaps stem from the deep recesses of his psyche. The individual songs seem to ping-pong back and forth between themes of love/desire for women and the desire to control women and out-and-out misogyny. Perone argues the resulting connections among the songs on Aftermath lend it a conceptual unity which, although not sufficient for it to be considered a concept album, allows for the record to be understood "as a psychodrama around the theme of love, desire and obsession that never quite turns out right". ![]() Perone noted in 2012 that the lyrical content – a character "so entrenched in his depression and rage that he has lost all hope" – establishes a rough concept for Aftermath 's American edition, the following songs offering insight into "the darkness of his psyche" and possible reasons for its darkness. Using colour-based metaphors, the song's lyrics describe the grief suffered by someone stunned by the sudden and unexpected loss of a partner, leading to what author Tony Visconti terms "a blanket worldview of desperation and desolation, with no hint of hope." The lyrics have also given rise to alternative interpretations scholars consider less likely, ranging from a bad trip on hallucinogens to the Vietnam War. Perone named "Paint It Black" as one of the Stones' 1966 songs that acts as an explicit attempt to transcend the blues-based rock and roll conventions of the Stones' previous songs, along with other Aftermath songs such as "Stupid Girl", " Lady Jane" and " Under My Thumb". Commentators and reviewers have classified "Paint It Black" as raga rock, psychedelia, and psychedelic rock. Wyman's heavy bass, Charlie Watts' low-pitch drumming and Richards' bolero-driven acoustic guitar outro drive "Paint It Black". Jagger's droning and slightly nasal singing complement the motif Jones plays on the sitar. Perone, although the introductory sitar passage is played in an Indian fashion, "the rhythmic and melodic feel of the Eastern-sounding phrases actually call to mind the Middle East more than India". In a 1995 interview, commenting on the musical styles found on Aftermath, Jagger described "Paint It Black" as "this kind of Turkish song". ![]() Problems playing this file? See media help.
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